He called for more wine. By the time he got it, the second course was being served, a pastry coffyn filled with pork, pine nuts, and eggs. Sansa ate no more than a bite of hers, as the heralds were summoning the first of the seven singers.
Grey-bearded Hamish the Harper announced that he would perform “for the ears of gods and men, a song ne’er heard before in all the Seven Kingdoms.” He called it “Lord Renly’s Ride.”
His fingers moved across the strings of the high harp, filling the throne room with sweet sound. “From his throne of bones the Lord of Death looked down on the murdered lord,” Hamish began, and went on to tell how Renly, repenting his attempt to usurp his nephew’s crown, had defied the Lord of Death himself and crossed back to the land of the living to defend the realm against his brother.
And for this poor Symon wound up in a bowl of brown, Tyrion mused. Queen Margaery was teary-eyed by the end, when the shade of brave Lord Renly flew to Highgarden to steal one last look at his true love’s face. “Renly Baratheon never repented of anything in his life,” the Imp told Sansa, “but if I’m any judge, Hamish just won himself a gilded lute.”
The Harper also gave them several more familiar songs. “A Rose of Gold” was for the Tyrells, no doubt, as “The Rains of Castamere” was meant to flatter his father. “Maiden, Mother, and Crone” delighted the High Septon, and “My Lady Wife” pleased all the little girls with romance in their hearts, and no doubt some little boys as well. Tyrion listened with half a ear, as he sampled sweetcorn fritters and hot oatbread baked with bits of date, apple, and orange, and gnawed on the rib of a wild boar.
Thereafter dishes and diversions succeeded one another in a staggering profusion, buoyed along upon a flood of wine and ale. Hamish left them, his place taken by a smallish elderly bear who danced clumsily to pipe and drum while the wedding guests ate trout cooked in a crust of crushed almonds. Moon Boy mounted his stilts and strode around the tables in pursuit of Lord Tyrell’s ludicrously fat fool Butterbumps, and the lords and ladies sampled roast herons and cheese-and-onion pies. A troupe of Pentoshi tumblers performed cartwheels and handstands, balanced platters on their bare feet, and stood upon each other’s shoulders to form a pyramid. Their feats were accompanied by crabs boiled in fiery eastern spices, trenchers filled with chunks of chopped mutton stewed in almond milk with carrots, raisins, and onions, and fish tarts fresh from the ovens, served so hot they burned the fingers.
Then the heralds summoned another singer; Collio Quaynis of Tyrosh, who had a vermilion beard and an accent as ludicrous as Symon had promised. Collio began with his version of “The Dance of the Dragons,” which was more properly a song for two singers, male and female. Tyrion suffered through it with a double helping of honey-ginger partridge and several cups of wine. A haunting ballad of two dying lovers amidst the Doom of Valyria might have pleased the hall more if Collio had not sung it in High Valyrian, which most of the guests could not speak. But “Bessa the Barmaid” won them back with its ribald lyrics. Peacocks were served in their plumage, roasted whole and stuffed with dates, while Collio summoned a drummer, bowed low before Lord Tywin, and launched into “The Rains of Castamere.”
If I have to hear seven versions of that, I may go down to Flea Bottom and apologize to the stew. Tyrion turned to his wife. “So which did you prefer?”
Sansa blinked at him. “My lord?”
“The singers. Which did you prefer?”
,’I . . . I’m sorry, my lord. I was not listening.”
She was not eating, either. “Sansa, is aught amiss?” He spoke without thinking, and instantly felt the fool. All her kin are slaughtered and she’s wed to me, and I wonder what’s amiss.
“No, my lord.” She looked away from him, and feigned an unconvincing interest in Moon Boy pelting Ser Dontos with dates.
Four master pyromancers conjured up beasts of living flame to tear at each other with flery claws whilst the serving men ladeled out bowls of blandissory, a mixture of beef broth and boiled wine sweetened with honey and dotted with blanched almonds and chunks of capon. Then came some strolling pipers and clever dogs and sword swallowers, with buttered pease, chopped nuts, and slivers of swan poached in a sauce of saffron and peaches. (“Not swan again,” Tyrion muttered, remembering his supper with his sister on the eve of battle.) A juggler kept a half-dozen swords and axes whirling through the air as skewers of blood sausage were brought sizzling to the tables, a juxtaposition that Tyrion thought passing clever,
though not perhaps in the best of taste.
Grey-bearded Hamish the Harper announced that he would perform “for the ears of gods and men, a song ne’er heard before in all the Seven Kingdoms.” He called it “Lord Renly’s Ride.”
His fingers moved across the strings of the high harp, filling the throne room with sweet sound. “From his throne of bones the Lord of Death looked down on the murdered lord,” Hamish began, and went on to tell how Renly, repenting his attempt to usurp his nephew’s crown, had defied the Lord of Death himself and crossed back to the land of the living to defend the realm against his brother.
And for this poor Symon wound up in a bowl of brown, Tyrion mused. Queen Margaery was teary-eyed by the end, when the shade of brave Lord Renly flew to Highgarden to steal one last look at his true love’s face. “Renly Baratheon never repented of anything in his life,” the Imp told Sansa, “but if I’m any judge, Hamish just won himself a gilded lute.”
The Harper also gave them several more familiar songs. “A Rose of Gold” was for the Tyrells, no doubt, as “The Rains of Castamere” was meant to flatter his father. “Maiden, Mother, and Crone” delighted the High Septon, and “My Lady Wife” pleased all the little girls with romance in their hearts, and no doubt some little boys as well. Tyrion listened with half a ear, as he sampled sweetcorn fritters and hot oatbread baked with bits of date, apple, and orange, and gnawed on the rib of a wild boar.
Thereafter dishes and diversions succeeded one another in a staggering profusion, buoyed along upon a flood of wine and ale. Hamish left them, his place taken by a smallish elderly bear who danced clumsily to pipe and drum while the wedding guests ate trout cooked in a crust of crushed almonds. Moon Boy mounted his stilts and strode around the tables in pursuit of Lord Tyrell’s ludicrously fat fool Butterbumps, and the lords and ladies sampled roast herons and cheese-and-onion pies. A troupe of Pentoshi tumblers performed cartwheels and handstands, balanced platters on their bare feet, and stood upon each other’s shoulders to form a pyramid. Their feats were accompanied by crabs boiled in fiery eastern spices, trenchers filled with chunks of chopped mutton stewed in almond milk with carrots, raisins, and onions, and fish tarts fresh from the ovens, served so hot they burned the fingers.
Then the heralds summoned another singer; Collio Quaynis of Tyrosh, who had a vermilion beard and an accent as ludicrous as Symon had promised. Collio began with his version of “The Dance of the Dragons,” which was more properly a song for two singers, male and female. Tyrion suffered through it with a double helping of honey-ginger partridge and several cups of wine. A haunting ballad of two dying lovers amidst the Doom of Valyria might have pleased the hall more if Collio had not sung it in High Valyrian, which most of the guests could not speak. But “Bessa the Barmaid” won them back with its ribald lyrics. Peacocks were served in their plumage, roasted whole and stuffed with dates, while Collio summoned a drummer, bowed low before Lord Tywin, and launched into “The Rains of Castamere.”
If I have to hear seven versions of that, I may go down to Flea Bottom and apologize to the stew. Tyrion turned to his wife. “So which did you prefer?”
Sansa blinked at him. “My lord?”
“The singers. Which did you prefer?”
,’I . . . I’m sorry, my lord. I was not listening.”
She was not eating, either. “Sansa, is aught amiss?” He spoke without thinking, and instantly felt the fool. All her kin are slaughtered and she’s wed to me, and I wonder what’s amiss.
“No, my lord.” She looked away from him, and feigned an unconvincing interest in Moon Boy pelting Ser Dontos with dates.
Four master pyromancers conjured up beasts of living flame to tear at each other with flery claws whilst the serving men ladeled out bowls of blandissory, a mixture of beef broth and boiled wine sweetened with honey and dotted with blanched almonds and chunks of capon. Then came some strolling pipers and clever dogs and sword swallowers, with buttered pease, chopped nuts, and slivers of swan poached in a sauce of saffron and peaches. (“Not swan again,” Tyrion muttered, remembering his supper with his sister on the eve of battle.) A juggler kept a half-dozen swords and axes whirling through the air as skewers of blood sausage were brought sizzling to the tables, a juxtaposition that Tyrion thought passing clever,
though not perhaps in the best of taste.
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