即时消息发送模块 java_五个模块，以促进模块化的即时性

即时消息发送模块 java

I designed my modular to be used with a computer. At times, it feels like I’m in the minority in this regard. Many people seek refuge from their computer when they turn to their modular. I don’t personally experience computer fatigue, and I’m loathe to give up the capabilities it adds to my modular, particularly in the meso and macrostructural domains. A large part of my modular practice is informed from the traditional methods of creating a complex arrangement through multi tracking, and my computer fulfills the role of recorder, editor and mixer.

我设计了可与计算机一起使用的模块。 有时，在这方面，我感觉像是少数派。 当他们转向模块化时，许多人都从计算机中寻求庇护。 我个人没有遇到计算机疲劳的问题，并且我不愿意放弃它为我的模块增加的功能，尤其是在介观和宏观结构领域。 我的模块化实践的很大一部分是从通过多重跟踪创建复杂装置的传统方法中获悉的，而我的计算机则扮演着录音机，编辑器和混音器的角色。

Given my modular+computer design focus, certain functions like DSP, recording, monitoring and mixing are relegated to that area. There are a handful of components I’ve added to my modular that infringe on that territory and I thought I might share what those are and why I use them.

考虑到我的模块化+计算机设计重点，某些功能(如DSP，记录，监视和混音)都归于该领域。 我在模块中添加了一些侵犯该领域的组件，我认为我可能会分享它们的含义以及使用它们的原因。

One quick note: I bought all these items, I did not receive any compensation or free product from these companies.

快速说明：我购买了所有这些物品，但没有收到这些公司的任何补偿或免费产品。

Headphone amplifierNearly every synthesizer has a headphone jack. You’d be surprised how many modulars don’t have headphone jacks. Even if you don’t use a computer to monitor, if you don’t have a headphone output, you have to connect a mixer to provide one. If you own a modular without a headphone jack and add one, it’s a revelation. A headphone jack transforms a modular from a tool to an instrument.

耳机放大器几乎每个合成器都有一个耳机插Kong。 您会惊讶地发现有多少模块没有耳机插Kong。 即使您不使用计算机进行监听，也没有耳机输出，也必须连接调音台来提供。 如果您拥有不带耳机插Kong的模块并添加一个，那将是一个启示。 耳机插Kong将模块从工具转换为仪器。

Space is a limited resource in any modular. While it is possible to fill an entire room with modules and cases, it is at the expense of usability and portability. I use Intellejel 104HP cases which include a row for 1U modules. This format is perfect for simple modules like headphone amplifiers.

在任何模块化中，空间都是有限的资源。 虽然可以用模块和外壳填充整个房间，但这是以可用性和可移植性为代价的。 我使用的是Intellejel 104HP机箱，其中包括一排1U模块。 这种格式非常适合简单的模块，例如耳机放大器 。

DSPMy first DSP module for my modular was the Z5000 from TipTop Audio. That was also the first DSP module created for the eurorack format. I still have my original Z5000 module, but the depth of this module does not fit in the more current, shallower-depth-style cases popularized by skiffs. The newer version of the Z5000 does not have this issue.

DSP我的第一个DSP模块是TipTop Audio的Z5000 。 这也是为eurorack格式创建的第一个DSP模块。 我仍然有原始的Z5000模块，但是此模块的深度不适合于由流浪者普及的最新，更浅的深度样式的案例。 Z5000的较新版本没有此问题。

The 1U format is still nascent, and I have a surplus of 1U real estate. The Intellijel Multi FX 1U module is incredibly inexpensive ($129 retail) and doesn’t consume any standard module space. One kind of reverb I use a lot are large, highly-diffused spaces and the Multi FX does this without the metallic edge you get from cheaper reverbs.

1U格式仍处于新生阶段，我有1U房地产剩余。 Intellijel Multi FX 1U模块非常便宜(零售价129美元)，并且不占用任何标准模块空间。 我经常使用的一种混响是大的，高度分散的空间，而Multi FX却没有廉价混响带来的金属边缘。

Modular-format DSP can not compete with the depth and variety of software offerings, so, for myself, DSP is primarily a computer-based activity. Now that I have the Multi FX though, the barrier to adding a little signal processing to my patch is much lower and I end up using it a lot.

模块化DSP无法与众多软件产品竞争，因此，对我而言，DSP主要是基于计算机的活动。 现在，我有了Multi FX，为我的音色增加一点信号处理的障碍大大降低了，我最终大量使用它。

MorphageneMy modular is primarily based around synthesis. I have an east coast area, a west coast area, wavetables, physical modeling, and scanned synthesis. One module I was curious about that doesn’t neatly fit into these areas was the Make Noise Morphagene.

Morphagene My模块主要基于合成。 我有一个东海岸地区，一个西海岸地区，波表，物理模型和扫描合成。 一个模块我很好奇，不完全适合这些地区是制造噪音Morphagene 。

I bought a used Morphagene to try it out. It was very much on probation from day one and I was not committed to it at all. You can’t walk up to a morphagene and start using it if you’ve never read the manual or used one before. There are three buttons and numerous chording gestures to get the morphagene to do fairly basic tasks. So, right off the bat, the Morphagene had a lot to overcome to earn a permeant place in my system. I eventually reached a tipping point where I could either let it go or double down. I called up Make Noise and after talking with them, I decided to double down in the form of adding a QPAS and Mimeophone to build out a complete version of their ‘tape music system’

我买了一个二手的Morphagene来试用。 从第一天开始就处于试用期，我一点也不致力于。 如果您从未阅读过手册或以前从未使用过该手册，则无法走上它并开始使用它。 有三个按钮和许多和弦手势可以使吗啡基因完成相当基本的任务。 因此，立即变态，Morphagene要克服很多困难，才能在我的系统中赢得一席之地。 我最终到达了一个临界点，在那里我可以放任不管或加倍努力。 我打电话给Make Noise，与他们交谈后，我决定加倍加入QPAS和Mimeophone的形式，以构建他们的“磁带音乐系统”的完整版本

What the morphagene does, is something that I do a lot already, but on the computer. With access to more processing power, polyphony, user interface, storage and memory, a computer is a much better platform for various granular synthesis techniques. At the same time, I spend a lot of time creating physical interfaces to work with granular synthesis to make it more performative.

morphagene的作用是我已经做了很多事情，但是要在计算机上进行。 通过使用更多处理能力，复音，用户界面，存储和内存，计算机是使用各种粒度合成技术的更好的平台。 同时，我花费大量时间来创建物理接口以与粒度综合一起使用，以使其更具性能。

The Morphagene somehow manages to sound great, offer a performative interface, and CV integration, while allowing me to treat audio more like play doh. I can capture mesostrucutral phrases, play them as loops and seamlessly zoom into a small grain to create a tone and back out again, all without glitching. It’s spell-binding and sometimes is so good it feels like cheating.

Morphagene在某种程度上设法听起来不错，提供了表演接口和CV集成，同时让我将音频更像是play doh。 我可以捕获中延短语，将其作为循环播放，并无缝放大到一个小颗粒以创建音调，然后再次退出，而不会出现毛刺。 它具有魔咒般的魅力，有时效果很好，让人感觉像在作弊。

WAV recorderThe most recent addition to my system is the 4ms WAV recorder. On the surface, the wave recorder looks like a direct assault on the codependent nature of my modular with a computer. It’s not, but it is understandable why it looks that way.

WAV记录器我系统中最新添加的是4ms WAV记录器 。 从表面上看，波浪记录器看起来像是对我的模块化与计算机的依赖关系的直接攻击。 不是，但是可以理解为什么会这样。

My use case for the module is quite simple. Have you ever been using your modular and said to yourself, “gee, I’d like to quickly sample that” Then, what follows is connecting a computer, cables, audio interface, setting levels, recording and then managing audio files.

我的模块用例非常简单。 您是否曾经使用过模块并对自己说：“天哪，我想快速采样一下。”然后，接下来是连接计算机，电缆，音频接口，设置电平，录制然后管理音频文件。

I don’t want to make a whole song, and I’m not looking to create an Ableton project just to capture whatever 16 seconds of audio I’m interested in (and then subsequently losing or forgetting about that project)

我不想制作一整首歌，也不想创建一个Ableton项目只是为了捕捉我感兴趣的任何16秒音频(然后丢失或忘记该项目)

A 32GB SD card can hold around 50 hours of audio. I can keep the recorder patch into my modular outputs, and then, if I feel like capturing something, I just press one button. Files are automatically numbered and all my “hey, I should capture this” audio is in one place. When recording, the outputs pass the recorded signal, so you can monitor what you’re recording. The aggregate accumulation of this data is a supra-temporal activity.

一个32GB的SD卡可以保存大约50个小时的音频。 我可以将录音机补丁保留在模块化输出中，然后，如果我想捕捉某些东西，只需按一个按钮即可。 文件会自动编号，我所有的“嘿，我应该捕获”音频都放在一个位置。 录制时，输出会通过录制的信号，因此您可以监视正在录制的内容。 此数据的累积积累是超时空活动。

Stereo microphone / USBIntellijel has a 1U tile that provides USB power. I can think of many use cases for this, but after getting the Morphagene, one quickly realizes the best material to work with comes from microphones, not signals from the modular. I needed a low-barrier method of connecting a stereo mic to the Morphagene inputs. Traditionally, this involves a stereo pair of microphones, a stereo bar, a mic stand, a stereo mic preamp, cables from the mics to the preamp and cables from the preamp to the modular. That’s a lot and represents a significant barrier. For me, one of the worst parts about connecting ANOTHER piece of gear is power, and that’s where the USB power port comes in.

立体声麦克风/ USB Intellijel具有1U磁贴，可提供USB电源 。 我可以想到很多用例，但是在获得Morphagene之后，人们很快就意识到可以使用的最佳材料来自麦克风，而不是来自模块化的信号。 我需要一种将立体声麦克风连接到Morphagene输入的低阻隔方法。 传统上，这涉及一对立体声麦克风，立体声棒，麦克风支架，立体声麦克风前置放大器，从麦克风到前置放大器的电缆以及从前置放大器到模块的电缆。 这很多，并且代表着很大的障碍。 对我来说，连接另一个齿轮最糟糕的部分之一就是电源，这就是USB电源端口的所在。

I use a Tascam DR-40 recorder (it is old and discontinued, replaced by the DR-40x. You don’t need this model, you just need a model that will pass though audio, most do) which attaches to a standard camera tripod mount. The DR-40 can be powered with batteries, and that’s great for field recording, but not for this application. It can, however, be powered over USB. The recorder will happily output a nice stereo line level signal without recording anything and hooking it up to my modular couldn’t be simpler.

我使用的是Tascam DR-40刻录机(它已经过时，已经停产，由DR-40x取代。您不需要此型号，只需要一个可以通过音频的型号，大多数情况下都可以)，它可以连接到标准相机上三脚架安装。 DR-40可以使用电池供电，这非常适合现场记录，但不适用于此应用。 但是，可以通过USB供电。 录音机将愉快地输出一个不错的立体声线路电平信号，而不进行任何录音并将其连接到我的模块上再简单不过了。

I now have a soup-to-nuts hardware system to capture, manipulate, augment, transform and ultimately record audio. What I can do only gets more powerful when I connect a computer, but the immediacy of results I can achieve with these modules is transformative.

我现在有一个从头到尾的硬件系统，可以捕获，操纵，增强，转换并最终录制音频。 连接计算机后，我只能做的事情变得更强大，但是使用这些模块可以立即获得结果是具有变革性的。

翻译自: https://medium.com/swlh/five-modules-to-promote-immediacy-in-a-modular-eac99717d590

即时消息发送模块 java