A hearing-loss lawsuit raises questions about orchestras’ duty of care

18人阅读 评论(0) 收藏 举报
分类:

While hearing loss is a real risk for classical musicians, the existing safeguards are clunky and undesirable

这里写图片描述

MAKING music is a hazardous business—ask any violist. Quarters are close and a brass section full-bore mid-Wagner can easily go decibel to decibel with a wall of Marshall amplifiers. No wonder then, that one in four classical musicians experience permanent hearing loss.

The noise problem isn’t new. Many of today’s orchestral instruments were designed to be heard over a distance outdoors, whether trumpets (military), horns (the hunt) or oboes (rowdy shepherds). They needed several decades of finishing school before being deemed well-mannered enough to join the band indoors in the 18th century. By the end of the 19th century, bores and bells were larger, the players were better and valves meant brass could play the full rainbow of keys and colours.

What’s different in the 21st century is what is done about it. Major orchestras supply all players with custom-fitted earplugs, make various types of acoustic shields available for players seated in front of particularly piercing instruments, arrange annual hearing tests and use decibel meters to check that noise levels comply with labour laws.

But musicians regularly remove their earplugs to better hear their colleagues. Some baulk at doing hearing tests for fear of losing their job, and many decline shields because they change sound or impede sightlines. Until last month, orchestras had not been held liable for injuries players sustained when declining to use protective equipment. This is changing.

In 2017 Chris Goldscheider, a former violist at the Royal Opera House (ROH) in London, brought a suit against his employer, claiming that the permanent hearing damage he had suffered was directly caused by two rehearsals for Wagner’s “Die Walküre” in 2012. There is no reason to doubt Mr Goldscheider’s claim that the noise around him reached 137 decibels. Research by Sound Advice, a British working group advising the entertainment industry, found that solo trumpet playing averages around 98 decibels and peaks at 113, from three metres away. For reference, the pain threshold is 125 decibels and rock concerts peak at around 150. In an opera pit, space is tight, the roof is low and when a Wagner opera finally gets up to something, the whole street knows it.

The judge, Justice Nicola Davies, found for Mr Goldscheider on the grounds that the law made “no distinction…between a factory and an opera house”. In the main, the comparison fits. More than a few musicians long in the business would say they work on a greatest-hits production line. The road diverges when it comes to noise. As the ROH argued in its defence, “noise is not a by-product of [our] activities, it is the product.”

Perhaps thinking they would easily win, the defence relied heavily on its duty to maintain world-class standards. Musicians use the same argument to justify not wearing hearing protection. But that argument is nonsense: an ROH at 80% is still the ROH. Ms Davies dismissed the point as well, writing that the “wish to maintain the highest artistic standards and uphold its reputation…however laudable…cannot compromise the standard of care which the ROH as an employer has to protect the health and safety of its employees when at their workplace.” She argued that the ROH should have forced musicians to wear hearing protection and marked the area around the noise a Hearing Protection Zone.

It is difficult to know what other action should be taken. In modern factories, workers receive an immediate ticking-off from supervisors and colleagues when caught on the floor without the required protective equipment. If fit-for-purpose ear protection existed, orchestra management could do likewise. As it stands, hearing protection for orchestras is still a developing technology. Earplugs that block noise only when it becomes too loud do exist and are wonderful things for gun enthusiasts. Mrs Davies is of the opinion the ROH should have supplied in-ear monitors, like the ones used by pop singers. (This is a perplexing solution as would require recording equipment to be added to an already cramped space, and the live sound mixed especially for each desk. Mariah Carey, Adele and countless others know all too well the perils of inopportune system failure.) Aside from all that, brass and wind players often suffer from occlusion—a feeling similar to ears blocked with cold—while wearing earplugs because their instrument vibrates their skull.

What of the audience? From the stalls, total sonic immersion is the point. The combination of physics and feelings produced by a big orchestra is like little else. Orchestras can play more quietly and in many cases should, but hearing loss is a foreseeable and unavoidable hazard of a life in music. The full consequences of the court’s decision are still to come—the ROH may still appeal and damages have not yet been awarded. In the meantime, now might be a good time to invest in ear-tech stock.

查看评论

HDU 5391 Zball in Tina Town(数论——威尔逊定理)——BestCoder Round #51(div.2)

HDU 5391 Zball in Tina Town(数论——威尔逊定理)——BestCoder Round #50(div.2)
  • queuelovestack
  • queuelovestack
  • 2015-08-15 23:07:45
  • 1009

HDU 5391-Zball in Tina Town(威尔逊定理)

Zball in Tina Town Time Limit: 3000/1500 MS (Java/Others) Memory Limit: 262144/262144 K (Java/Ot...
  • qq_28236309
  • qq_28236309
  • 2015-08-17 00:27:06
  • 453

【TED】How to get better at the things you care about?

0:11 Most of us go through life trying to do our best at whatever we do, whether it’s our job, fami...
  • Coding_ZXY
  • Coding_ZXY
  • 2017-02-02 15:14:07
  • 4653

程序员修炼之灵---基本特征

程序员修炼之灵    -----基本特征1. 注重实效的程序员,不仅要完成工作,而且要完成得漂亮。(这也就是我想说的,用完美的,专业的方法解决问题,而不仅仅只是速度。)2. 注重实效的程序员的基本特征...
  • stephanxu
  • stephanxu
  • 2008-06-18 16:24:00
  • 307

不得已的crash处理

When an application crashes on the iPhone, it disappears without telling the user what happened. How...
  • gnicky
  • gnicky
  • 2012-06-25 21:08:21
  • 815

macroenonomics

  • 2010年11月13日 17:37
  • 972KB
  • 下载

比尔盖茨给年轻人的11句话(附英文)

In Bill Gates Book for high school and college graduates, there is a list of 11 things they did not ...
  • leonzhang2008
  • leonzhang2008
  • 2010-04-06 09:33:00
  • 630

注重实效的程序员之快速参考指南

 这两天我将《程序员修炼之道》看完了,写得非常好。 特将其里面提到的各种建议抄录下来。注重实效的程序员之快速参考指南 - The Pragmatic Programmer Quick Referenc...
  • dragoncheng
  • dragoncheng
  • 2009-04-23 11:07:00
  • 763

mdk3 ----无线D.O.S攻击(拒绝服务攻击)

环境:kali linux 2017 工具:MDK3 aircrack-ng套件1.关于无线连接验证有两种 1)开放式密钥验证  2)预共享密钥验证  2.关于无线客户端状态1...
  • CloudAtlasM
  • CloudAtlasM
  • 2017-05-26 09:46:35
  • 566

ORACLE parent latch和children latch

         About parent vs child latches. There is no fundamental low level difference between parent ...
  • wh62592855
  • wh62592855
  • 2009-11-23 17:36:00
  • 1264
    个人资料
    持之以恒
    等级:
    访问量: 13万+
    积分: 4407
    排名: 8528
    最新评论