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Eliot's work Snowman on a Wooden Bridge in Trondheim has been received as（这个不是作者视角） a purely literal and unqualified replication of a winter view. （没有出现路基连接词因此与前一句同，例子展开）lts meticulous detailing of the clouds and smoke in the backdrop is said to parallel the pastoral scenes portrayed by the likes of Hirsch.

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However, critic Artour Mirkovicsuggests alternatively that the work exemplifies Eliot's idealization of serenity and tranquility as opposed to an unstinting reproduction of a Norwegian suburb.

Although(相当于重述第一个观点，让步) he recognizes the exactitude with which Eliot depicted the landscape , Mirkovic cites（再述however的观点） chemical study that relates the pigment to the warm Mediterranean Island Sicily, where Eliot frequented for inspiration, arguing that the picture was unlikely to be a realistic portrayal of his direct experience. Likewise, art historian Lindsay Babaev points to affinity between Eliot and impressionist master Laurence, contending that Eliot's masterpiece needs to be interpreted beyond its surface value.