东风谷早苗机器人玩法_神秘谷介绍机器人

本文介绍了东风谷早苗机器人的玩法,并深入探讨了机器人领域的神秘谷概念,引导读者理解人工智能在机器人设计中的挑战与影响。
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东风谷早苗机器人玩法

Re-thinking robotic design: social support robots diving us into the uncanny valley. We don’t need robots to look like humans. Am I the only one here who has never wanted a robot to raise my kids? Am I the only one that thinks there could be more harm if it looks human?

重新思考机器人设计:社交支持机器人将我们带入了异常谷。 我们不需要机器人看起来像人类。 我是这里唯一一个不想让机器人养育孩子的人吗? 我是唯一认为如果看起来像人一样可能会造成更大伤害的人吗?

The human brain is wired around faces: they’re the center of how we see emotions which causes us to see them in everyday objects. Now, we are re-wiring our brains with our phones without a real plan regarding the long term effects. What happens when we give our phones a face — the feedback loop will be even more amplified.

人的大脑缠绕在面部周围: 它们是我们如何看待情绪的中心,这些情绪使我们能够在日常对象中看到它们 。 现在,我们没有使用关于长期影响的切实计划,就用手机重新连接了大脑 。 当我们面对手机时会发生什么—反馈回路将更加放大。

This article considers the effects of robot design as an emotional tool and why we are not prepared at all for the repercussions. It’s a tour of the uncanny valley, robotic style, robotic examples, and where we can start.

本文将机器人设计的效果视为一种情感工具,并解释了为什么我们根本没有做好应对冲击的准备。 这是对神秘谷,机器人风格,机器人示例以及我们可以从何处开始的游览。

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Source-Author.
来源作者。

神秘谷 (The Uncanny Valley)

Its original name was bukimi no tani genshō — which from Japanese roughly translates to Valley of Eeriness. The Uncanny Valley is the drop in human likeness for robots on the path from unlike humans to nearly indiscernible from us — the likeness drops when the robots are in between awkward and perfect (uncanniness is a familiar eeriness).

原名 bukimi no tanigenshō-来自日语 大致翻译为“狂野之谷”。 Uncanny山谷是从不一样的人类到我们几乎无法分辨的道路上机器人的人类相似度下降-当机器人介于笨拙和完美之间时,相似度下降(松散是一种熟悉的恐惧)。

Japanese roboticist Masahiro Mori is credited with the term. It does seem like quite a Japanese concept: requires observation, introspective, human, artistic, etc. I like Japan, but this is an aside. A visualization of it is below [source]. From bottom to top is how much a human will enjoy spending time with the robot, and from left to right is how human the robot is.

日本机器人手森昌宏(Masahiro Mori )曾被冠以这个名词。 它似乎确实是一个日本概念:需要观察,内省,人类,艺术等。我喜欢日本,但这是一个问题。 它的可视化在[ source ]下。 从下至上是人类会喜欢与机器人共度时光的程度,而从左至右则是机器人的境界。

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Source. 来源

Starting 2020, we are at the point where robots (more later on some examples):

从2020年开始,我们正处在机器人时代(更多示例见下文):

a) are good at some tasks and way better than humans at others,

a)擅长某些任务,在某些方面胜于人类,

b) can be made to look eerily human — when stationary (ie by their construction), not in movement, which still is jerky and preliminary.

b)可以使人看起来很古怪—在静止时(即通过其构造),而不是在运动中,这仍然是生涩而初步的。

这是如何运作的? (How does this work?)

I found this summary of why the uncanny valley appears useful:

我发现了这个令人难以置信的山谷为何有用的

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