python 埃米尔特_跨入第四维度–卡尔·埃米尔·卡尔森如何通过Unity创造艺术创作

python 埃米尔特

Have you experienced visual music or witnessed a virtual performer dance right into the audience? In this post, we go behind the scenes with an innovative Danish creator who challenges viewers’ perceptions by projecting Unity-generated experiences in theaters and exhibition spaces.

您是否体验过视觉音乐或目睹了虚拟表演者的舞步直接进入观众的视线？ 在这篇文章中，我们与一位创新的丹麦创作者进行了幕后讨论，他通过在剧院和展览空间中投射Unity产生的体验来挑战观众的感知。

From his lab in the crypt of an old church in Copenhagen, Carl Emil Carlsen – an interaction designer and media artist – shared why he likes to release “living” digital forms from the confines of conventional devices. 

交互设计师兼媒体艺术家卡尔·埃米尔·卡尔森(Carl Emil Carlsen)在哥本哈根老教堂地下室的实验室里分享了他为什么喜欢从传统设备中释放“活着的”数字形式的原因。

“I’m interested in crafting interactive audiovisual illusions that merge virtual and physical phenomena. When I make digital entities escape the screen, I like to think they are just like early lifeforms escaping the ocean. It’s exciting to shape this hybrid space as technologies evolve – there are so many new paths for artists to explore.” 

“我对制作融合虚拟和物理现象的交互式视听幻觉感兴趣。 当我使数字实体逃离屏幕时，我喜欢认为它们就像逃离海洋的早期生命形式一样。 随着技术的发展，塑造这种混合空间非常令人兴奋–有许多新的途径可供艺术家探索。”

演示地址

A clip from Silicium2, Carl Emil’s project with techno artist Bjørn Svin

卡尔·埃米尔(Carl Emil)与技术艺术家比约恩·斯文(BjørnSvin)合作的项目Silicium2的片段

工具和协作的重要性 (The importance of tools and collaboration)

A big part of Carl Emil’s approach is how he uses technology to achieve his artistic goals. “Tools shape our thinking, so I want to have some influence over them. Unity lets me do that because it’s highly customizable and I can easily experiment with many different formats, media, and types of content.” 

卡尔·埃米尔(Carl Emil)的方法的很大一部分是他如何使用技术来实现他的艺术目标。 工具决定了我们的思想，因此我希望对他们产生影响。 Unity使我能够做到这一点，因为它是高度可定制的，并且我可以轻松地尝试许多不同的格式，媒体和内容类型。”

And he’s not doing this in a vacuum. “Throughout my career I’ve tried to choose projects where I’m going to learn something. I try to find challenges that will take me somewhere new. And on that path, I’ve been lucky to collaborate with some very skilled people, who’ve taught me a lot.” 

而且他不是在真空中这样做。 “在我的整个职业生涯中，我一直试图选择要学习一些东西的项目。 我试图找到挑战，这些挑战将带我到新的地方。 在这条路上，我很幸运能与一些非常熟练的人合作，他们对我有很多启发。”

Some of Carl Emil’s tools for creating “gen art,” including strong coffee

卡尔·埃米尔(Carl Emil)的一些用于创造“世代艺术”的工具，包括浓咖啡

融合现实与幻想 (Blending reality and illusion)

In a Unite Copenhagen talk, Carl Emil points out how his interest in mixing physical and virtual spaces led him to explore the 4D Box, a live stage located at The Culture Yard in Helsingør, Denmark. “What excited me about it was the possibility of producing hologram-like illusions for a large audience.” 

在 哥本哈根 的 Unite演讲中 ，卡尔·埃米尔(Carl Emil)指出了他对混合物理和虚拟空间的兴趣如何使他探索了位于 丹麦赫尔辛格 ( The Culture Yard) 的4D盒子的现场表演 。 “令我感到兴奋的是，它可能为广大观众带来类似全息图的幻觉。”

The stage is based on an optical illusion popularized over 150 years ago. John Henry Pepper mesmerized London theater-goers by reflecting hidden actors onto a theatre stage using a large piece of glass and a lamp, m