人喜欢音乐的部分原因：形成期望，不确定性

[1]: <From: https://mp.weixin.qq.com/s/UD3qWFTwml6G6Y5bT_6WLA>
[2]: Rescorla, R.A. & Wagner, A.R., “A theory ofPavlovian conditioning: Variations in the effectiveness of reinforcement andnonreinforcement.” In Classical Conditioning II, A. Black & W.F. Prokasky,Jr. (eds.), (1972).
[3]: Sridharan, Levitin, Berger, Chafe, and Menon, NeuralDynamics of Event Segmentation in Music: Converging Evidence of DissociableVentral and Dorsal Networks, Neuron, Volume 55, Issue 3, pages 521-532 (2007).

Denning Family Provostial Professor

Jonathan Berger is the Denning Family Provostial Professor in Music at Stanford University, where he teaches composition, music theory, and cognition at the Center for Computer Research in Music and Acoustics (CCRMA).

Jonathan is a 2017 Guggenheim Fellow and a 2016 winner of the Rome Prize. He was the founding co-director of the Stanford Institute for Creativity and the Arts (SICA, now the Stanford Arts Institute) and founding director of Yale University’s Center for Studies in Music TechnologyDescribed as “gripping” by both the New York Times and the Chicago Tribune, “poignant”, “richly evocative” (San Francisco Chronicle), “taut, and hauntingly beautiful” (NY Times), Jonathan Berger’s recent works deal with both consciousness and conscience.

The Kronos Quartet toured recent monodrama, My Lai internationally. Thrice commissioned by The National Endowment for the Arts, Berger’a recent commissions include The Mellon and Rockefeller Foundations, Chamber Music Society, Lincoln Center, and Chamber Music America.

Upcoming commissions include an oratorio entitled The Ritual of Breath, and Leonardo, for baritone and chamber orchestra.

In addition to composition, Berger is an active researcher with over 80 publications in a wide range of fields relating to music, science and technology and has held research grants from DARPA, the Wallenberg Foundation, The National Academy of Sciences, the Keck Foundation, and others.

乔纳森·伯杰是斯坦福大学丹宁家族音乐教授，他在音乐与声学计算机研究中心教授作曲、音乐理论和认知学。
Jonathan是2017年古根海姆奖得主和2016年罗马奖得主。
他是斯坦福研究所联合成立的创造力和艺术(西卡,现在斯坦福大学艺术学院)和耶鲁大学的研究中心的创始董事音乐技术口描述为“引人入胜”,《纽约时报》和《芝加哥论坛报》。“深刻的”、“丰富的呼唤”(旧金山纪事报)、“紧绷的、令人难以忘怀的美丽”(纽约时报)，乔纳森·伯杰最近的作品涉及意识和良知。

克罗诺斯四重奏乐团最近在世界各地巡回演出了独角戏《美莱》。伯杰曾三次受到美国国家艺术基金会的委托，最近的委托对象包括梅隆基金会和洛克菲勒基金会。室内乐的社会。林肯中心和美国室内乐。

Upcoming commissions 包括an oratorio entitled The Ritual of Breath,，和莱昂纳多，男中音和室内管弦乐队。

除了作文,伯杰是一个活跃的研究人员与80多个出版物在广泛的领域与音乐,科学和技术,研究经费来自美国国防部高级研究计划局,瓦伦堡基金会,美国国家科学院,凯克基金会及其他。