FCP | MAD editing workflow on macOS

最新推荐文章于 2024-08-19 14:33:51 发布

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最新推荐文章于 2024-08-19 14:33:51 发布

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分类专栏： macOS video

本文链接：https://blog.csdn.net/qq_45379253/article/details/111055512

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MAD editing workflow on macOS

Conclusion

Extract and Format

origin: mkv (HEVC & FLAC)
mkvextract: HEVC FLAC
(Permute: edit FLAC with wrong timestamp)
ffmpeg: ALAC
mp4box: mp4 (HEVC & ALAC)

Import

For me, a MAD producer, import mp4 (HEVC & ALAC) into FCP (copy original media to library) and then create proxy media with mov (ProRes 422 Proxy & PCM).

Advantages

Output with the best quality What I import has the best quality. So, output has the least loss. I can even use ProRes 422 or ProRes 422 HQ to export my project.
Great performance when editing video The performance will be satisfying by creating proxy media instead of directly using original media to edit.
Less space and Faster encoding time Contrast to ProRes 422, encoding ProRes 422 Proxy is faster and spends less space. Creating proxy media also allows me to use half frame size, which save storage more. Also I can delete all proxy files after finishing the project without affecting original media. After deleting these proxy media, if I want to restart the project I can easily recreate proxy media.
No error if original media disappear I choose the option copy to library so I won’t be worried if original media moved or deleted.

Export

Upload

mp4 (HEVC & AAC) with the best quality

Original Media

mkv (HEVC & FLAC)
incompatible with Compressor and FCPX

Transcode and Re-format

mkvextract: HEVC FLAC
(Permute: edit FLAC with wrong timestamp)
ffmpeg: ALAC
mp4box: mp4 (HEVC & ALAC)
**See script at **my GitHub repo

Import

Import only

not recommend

Transcode then Import

Compressor: mov (ProRes 422 / ProRes 422 LT / Prores 422 Proxy & PCM)
If you really concern about the quality, use ProRes 422 or ProRes 422 HQ. Otherwise if you don’t have enough disk storage, ProRes 422 LT or ProRes 422 Proxy is also good for video editing.